hugo-formation-docker/themes/ananke/assets/ananke/socials/medium.svg

+<svg style="enable-background:new 0 0 170 170;" version="1.1" viewBox="0 0 170 170"  xml:space="preserve" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" >
+<path d="M46.5340803,65.2157554 C46.6968378,63.6076572 46.0836,62.018231 44.8828198,60.93592 L32.6512605,46.2010582 L32.6512605,44 L70.6302521,44 L99.9859944,108.380952 L125.794585,44 L162,44 L162,46.2010582 L151.542017,56.2281011 C150.640424,56.9153477 150.193188,58.0448862 150.380019,59.1628454 L150.380019,132.837155 C150.193188,133.955114 150.640424,135.084652 151.542017,135.771899 L161.755369,145.798942 L161.755369,148 L110.38282,148 L110.38282,145.798942 L120.963119,135.527337 C122.002801,134.487948 122.002801,134.182246 122.002801,132.592593 L122.002801,73.0417402 L92.585901,147.755438 L88.6106443,147.755438 L54.3622782,73.0417402 L54.3622782,123.115814 C54.0767278,125.221069 54.7759199,127.3406 56.2581699,128.863022 L70.0186741,145.55438 L70.0186741,147.755438 L31,147.755438 L31,145.55438 L44.7605042,128.863022 C46.2319621,127.338076 46.8903838,125.204485 46.5340803,123.115814 L46.5340803,65.2157554 Z" style="fill-rule:evenodd;clip-rule:evenodd;"/>
+</svg>

hugo-formation-docker/themes/ananke/assets/ananke/socials/rss.svg

+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 24 24">
+    <circle cx="6.18" cy="17.82" r="2.18"/>
+    <path id="scale" d="M4 4.44v2.83c7.03 0 12.73 5.7 12.73 12.73h2.83c0-8.59-6.97-15.56-15.56-15.56zm0 5.66v2.83c3.9 0 7.07 3.17 7.07 7.07h2.83c0-5.47-4.43-9.9-9.9-9.9z"/>
+</svg>
+

hugo-formation-docker/themes/ananke/assets/ananke/socials/slack.svg

+<svg style="enable-background:new 65 65 150 135;" version="1.1" viewBox="65 65 150 135"  xml:space="preserve" xmlns="http://www.w3.org/2000/svg">
+<style type="text/css">
+	.st0{fill:#BABABA;}
+</style>
+<g>
+	<g>
+		<path class="st0" d="M99.4,151.2c0,7.1-5.8,12.9-12.9,12.9s-12.9-5.8-12.9-12.9c0-7.1,5.8-12.9,12.9-12.9h12.9V151.2z"/>
+		<path class="st0" d="M105.9,151.2c0-7.1,5.8-12.9,12.9-12.9s12.9,5.8,12.9,12.9v32.3c0,7.1-5.8,12.9-12.9,12.9
+			s-12.9-5.8-12.9-12.9C105.9,183.5,105.9,151.2,105.9,151.2z"/>
+	</g>
+	<g>
+		<path class="st0" d="M118.8,99.4c-7.1,0-12.9-5.8-12.9-12.9s5.8-12.9,12.9-12.9s12.9,5.8,12.9,12.9v12.9H118.8z"/>
+		<path class="st0" d="M118.8,105.9c7.1,0,12.9,5.8,12.9,12.9s-5.8,12.9-12.9,12.9H86.5c-7.1,0-12.9-5.8-12.9-12.9
+			s5.8-12.9,12.9-12.9C86.5,105.9,118.8,105.9,118.8,105.9z"/>
+	</g>
+	<g>
+		<path class="st0" d="M170.6,118.8c0-7.1,5.8-12.9,12.9-12.9c7.1,0,12.9,5.8,12.9,12.9s-5.8,12.9-12.9,12.9h-12.9V118.8z"/>
+		<path class="st0" d="M164.1,118.8c0,7.1-5.8,12.9-12.9,12.9c-7.1,0-12.9-5.8-12.9-12.9V86.5c0-7.1,5.8-12.9,12.9-12.9
+			c7.1,0,12.9,5.8,12.9,12.9V118.8z"/>
+	</g>
+	<g>
+		<path class="st0" d="M151.2,170.6c7.1,0,12.9,5.8,12.9,12.9c0,7.1-5.8,12.9-12.9,12.9c-7.1,0-12.9-5.8-12.9-12.9v-12.9H151.2z"/>
+		<path class="st0" d="M151.2,164.1c-7.1,0-12.9-5.8-12.9-12.9c0-7.1,5.8-12.9,12.9-12.9h32.3c7.1,0,12.9,5.8,12.9,12.9
+			c0,7.1-5.8,12.9-12.9,12.9H151.2z"/>
+	</g>
+</g>
+</svg>

hugo-formation-docker/themes/ananke/assets/ananke/socials/stackoverflow.svg

+<svg
+    style="enable-background:new 0 0 67 67;"
+    xmlns="http://www.w3.org/2000/svg"
+    viewBox="0 0 24 24"
+    
+>
+    <path d="M12 0c-6.627 0-12 5.373-12 12s5.373 12 12 12 12-5.373 12-12-5.373-12-12-12zm.869 5.903l3.114 4.567-.975.665-3.115-4.567.976-.665zm-2.812 2.585l4.84 2.838-.6 1.017-4.842-2.838.602-1.017zm-1.276 2.724l5.413 1.521-.291 1.077-5.428-1.458.306-1.14zm-.588 2.461l5.687.569-.103 1.12-5.691-.513.107-1.176zm-.169 2.16h5.835v1.167h-5.835v-1.167zm7.976 3.167h-10v-6h1v5h8v-5h1v6zm.195-8.602l-.945-5.446 1.162-.202.947 5.446-1.164.202z"/>
+</svg>

hugo-formation-docker/themes/ananke/assets/ananke/socials/tiktok.svg

+<svg style="enable-background:new 0 0 32 32;" version="1.1" viewBox="0 0 32 32" xml:space="preserve" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink">
+  <path d="m 15.433,1.91 c 7.726455,0 14,6.265147 14,14 0,7.726455 -6.265147,14 -14,14 -7.7264547,0 -14,-6.265147 -14,-14 0,-7.7264547 6.265147,-14 14,-14 z m 3.031794,6.2483503 c 0.260348,2.2003597 1.486502,3.5104977 3.611277,3.6448707 v 2.469107 c -1.234553,0.117576 -2.317936,-0.285543 -3.577684,-1.041392 v 4.619076 c 0,5.878824 -6.407918,7.709658 -8.9778045,3.5021 -1.6544691,-2.70426 -0.6382724,-7.466107 4.6694665,-7.65087 v 2.611877 c -0.40312,0.06719 -0.831434,0.167967 -1.226155,0.30234 -1.184163,0.394721 -1.847631,1.15057 -1.662868,2.469106 0.361128,2.527895 4.997001,3.275345 4.610678,-1.662867 V 8.1667487 h 2.561488 z" style="fill-rule:evenodd;clip-rule:evenodd;"/>
+</svg>

hugo-formation-docker/themes/ananke/assets/ananke/socials/twitter.svg

+<svg style="enable-background:new 0 0 67 67;" version="1.1" viewBox="0 0 67 67"  xml:space="preserve" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink"><path d="M37.167,22.283c-2.619,0.953-4.274,3.411-4.086,6.101  l0.063,1.038l-1.048-0.127c-3.813-0.487-7.145-2.139-9.974-4.915l-1.383-1.377l-0.356,1.017c-0.754,2.267-0.272,4.661,1.299,6.271  c0.838,0.89,0.649,1.017-0.796,0.487c-0.503-0.169-0.943-0.296-0.985-0.233c-0.146,0.149,0.356,2.076,0.754,2.839  c0.545,1.06,1.655,2.097,2.871,2.712l1.027,0.487l-1.215,0.021c-1.173,0-1.215,0.021-1.089,0.467  c0.419,1.377,2.074,2.839,3.918,3.475l1.299,0.444l-1.131,0.678c-1.676,0.976-3.646,1.526-5.616,1.568  C19.775,43.256,19,43.341,19,43.405c0,0.211,2.557,1.397,4.044,1.864c4.463,1.377,9.765,0.783,13.746-1.568  c2.829-1.673,5.657-5,6.978-8.221c0.713-1.716,1.425-4.851,1.425-6.354c0-0.975,0.063-1.102,1.236-2.267  c0.692-0.678,1.341-1.419,1.467-1.631c0.21-0.403,0.188-0.403-0.88-0.043c-1.781,0.636-2.033,0.551-1.152-0.402  c0.649-0.678,1.425-1.907,1.425-2.267c0-0.063-0.314,0.042-0.671,0.233c-0.377,0.212-1.215,0.53-1.844,0.72l-1.131,0.361l-1.027-0.7  c-0.566-0.381-1.361-0.805-1.781-0.932C39.766,21.902,38.131,21.944,37.167,22.283z M33,64C16.432,64,3,50.569,3,34S16.432,4,33,4  s30,13.431,30,30S49.568,64,33,64z" style="fill-rule:evenodd;clip-rule:evenodd;"/></svg>

hugo-formation-docker/themes/ananke/assets/ananke/socials/youtube.svg

+<svg style="enable-background:new 0 0 67 67;" version="1.1" viewBox="0 0 67 67"  xml:space="preserve" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink"><path d="M42.527,41.34c-0.278,0-0.478,0.078-0.6,0.244  c-0.121,0.156-0.18,0.424-0.18,0.796v0.896h1.543V42.38c0-0.372-0.062-0.64-0.185-0.796C42.989,41.418,42.792,41.34,42.527,41.34z   M36.509,41.309c0.234,0,0.417,0.076,0.544,0.23c0.123,0.155,0.185,0.383,0.185,0.682v4.584c0,0.286-0.053,0.487-0.153,0.611  c-0.1,0.127-0.256,0.189-0.47,0.189c-0.148,0-0.287-0.033-0.421-0.096c-0.135-0.062-0.274-0.171-0.415-0.313v-5.531  c0.119-0.122,0.239-0.213,0.36-0.271C36.26,41.335,36.383,41.309,36.509,41.309z M41.748,44.658v1.672  c0,0.468,0.057,0.792,0.17,0.974c0.118,0.181,0.313,0.269,0.592,0.269c0.289,0,0.491-0.076,0.606-0.229  c0.114-0.153,0.175-0.489,0.175-1.013v-0.405h1.795v0.456c0,0.911-0.217,1.596-0.657,2.059c-0.435,0.459-1.089,0.687-1.958,0.687  c-0.781,0-1.398-0.242-1.847-0.731c-0.448-0.486-0.676-1.157-0.676-2.014v-3.986c0-0.768,0.249-1.398,0.742-1.882  c0.493-0.484,1.128-0.727,1.911-0.727c0.799,0,1.413,0.225,1.843,0.674c0.429,0.448,0.642,1.093,0.642,1.935v2.264H41.748z   M38.623,48.495c-0.271,0.336-0.669,0.501-1.187,0.501c-0.343,0-0.646-0.062-0.912-0.192c-0.267-0.129-0.519-0.327-0.746-0.601  v0.681h-1.764V36.852h1.764v3.875c0.237-0.27,0.485-0.478,0.748-0.616c0.267-0.143,0.534-0.212,0.805-0.212  c0.554,0,0.975,0.189,1.265,0.565c0.294,0.379,0.438,0.933,0.438,1.66v4.926C39.034,47.678,38.897,48.159,38.623,48.495z   M30.958,48.884v-0.976c-0.325,0.361-0.658,0.636-1.009,0.822c-0.349,0.191-0.686,0.282-1.014,0.282  c-0.405,0-0.705-0.129-0.913-0.396c-0.201-0.266-0.305-0.658-0.305-1.189v-7.422h1.744v6.809c0,0.211,0.037,0.362,0.107,0.457  c0.077,0.095,0.196,0.141,0.358,0.141c0.128,0,0.292-0.062,0.488-0.188c0.197-0.125,0.375-0.283,0.542-0.475v-6.744h1.744v8.878  H30.958z M24.916,38.6v10.284h-1.968V38.6h-2.034v-1.748h6.036V38.6H24.916z M32.994,32.978c0-0.001,12.08,0.018,13.514,1.45  c1.439,1.435,1.455,8.514,1.455,8.555c0,0-0.012,7.117-1.455,8.556C45.074,52.969,32.994,53,32.994,53s-12.079-0.031-13.516-1.462  c-1.438-1.435-1.441-8.502-1.441-8.556c0-0.041,0.004-7.12,1.441-8.555C20.916,32.996,32.994,32.977,32.994,32.978z M42.52,29.255  h-1.966v-1.08c-0.358,0.397-0.736,0.703-1.13,0.909c-0.392,0.208-0.771,0.312-1.14,0.312c-0.458,0-0.797-0.146-1.027-0.437  c-0.229-0.291-0.345-0.727-0.345-1.311v-8.172h1.962v7.497c0,0.231,0.045,0.399,0.127,0.502c0.08,0.104,0.216,0.156,0.399,0.156  c0.143,0,0.327-0.069,0.548-0.206c0.22-0.137,0.423-0.312,0.605-0.527v-7.422h1.966V29.255z M31.847,27.588  c0.139,0.147,0.339,0.219,0.6,0.219c0.266,0,0.476-0.075,0.634-0.223c0.157-0.152,0.235-0.358,0.235-0.618v-5.327  c0-0.214-0.08-0.387-0.241-0.519c-0.16-0.131-0.37-0.196-0.628-0.196c-0.241,0-0.435,0.065-0.586,0.196  c-0.148,0.132-0.225,0.305-0.225,0.519v5.327C31.636,27.233,31.708,27.439,31.847,27.588z M30.408,19.903  c0.528-0.449,1.241-0.674,2.132-0.674c0.812,0,1.48,0.237,2.001,0.711c0.517,0.473,0.777,1.083,0.777,1.828v5.051  c0,0.836-0.255,1.491-0.762,1.968c-0.513,0.476-1.212,0.714-2.106,0.714c-0.858,0-1.547-0.246-2.064-0.736  c-0.513-0.492-0.772-1.152-0.772-1.983v-5.068C29.613,20.954,29.877,20.351,30.408,19.903z M24.262,16h-2.229l2.634,8.003v5.252  h2.213v-5.5L29.454,16h-2.25l-1.366,5.298h-0.139L24.262,16z M33,64C16.432,64,3,50.569,3,34S16.432,4,33,4s30,13.431,30,30  S49.568,64,33,64z" style="fill-rule:evenodd;clip-rule:evenodd;"/></svg>

hugo-formation-docker/themes/ananke/config.yaml

+module:
+  hugoVersion:
+    min: "0.84.0"
\ No newline at end of file

hugo-formation-docker/themes/ananke/exampleSite/config.toml

+title = "Notre-Dame de Paris"
+baseURL = "https://gohugo-theme-ananke.pages.dev"
+languageCode = "en-us"
+theme = ["github.com/theNewDynamic/gohugo-theme-ananke"]
+resourceDir = "../resources"
+
+DefaultContentLanguage = "en"
+SectionPagesMenu = "main"
+Paginate = 3 # this is set low for demonstrating with dummy content. Set to a higher number
+googleAnalytics = ""
+enableRobotsTXT = true
+
+[languages]
+  [languages.en]
+    title = "Ananke"
+    weight = 1
+    contentDir = "content/en"
+    # languageDirection = 'rtl' for Right-To-Left languages
+  [languages.fr]
+    title = "Ananke Fr"
+    weight = 2
+    contentDir = "content/fr"
+
+[sitemap]
+  changefreq = "monthly"
+  priority = 0.5
+  filename = "sitemap.xml"
+
+[params]
+  text_color = ""
+  author = ""
+  favicon = ""
+  site_logo = ""
+  description = "The last theme you'll ever need. Maybe."
+  # choose a background color from any on this page: https://tachyons.io/docs/themes/skins/ and preface it with "bg-"
+  background_color_class = "bg-black"
+  recent_posts_number = 3
+
+[[params.ananke_socials]]
+name = "twitter"
+url = "https://twitter.com/GoHugoIO"

hugo-formation-docker/themes/ananke/exampleSite/content/en/_index.md

+---
+title: "Ananke: a Hugo Theme"
+
+description: "The last theme you'll ever need. Maybe."
+# 1. To ensure Netlify triggers a build on our exampleSite instance, we need to change a file in the exampleSite directory.
+theme_version: '2.8.2'
+cascade:
+  featured_image: '/images/gohugo-default-sample-hero-image.jpg'
+---
+Welcome to my blog with some of my work in progress. I've been working on this book idea. You can read some of the chapters below.

hugo-formation-docker/themes/ananke/exampleSite/content/en/about/index.md

+---
+title: "About"
+description: "A few years ago, while visiting or, rather, rummaging about Notre-Dame, the author of this book found, in an obscure nook of one of the towers, the following word, engraved by hand upon the wall: —ANANKE."
+featured_image: '/images/Victor_Hugo-Hunchback.jpg'
+menu:
+  main:
+    weight: 1
+---
+{{< figure src="/images/Victor_Hugo-Hunchback.jpg" title="Illustration from Victor Hugo et son temps (1881)" >}}
+
+_The Hunchback of Notre-Dame_ (French: _Notre-Dame de Paris_) is a French Romantic/Gothic novel by Victor Hugo, published in 1831. The original French title refers to Notre Dame Cathedral, on which the story is centered. English translator Frederic Shoberl named the novel The Hunchback of Notre Dame in 1833 because at the time, Gothic novels were more popular than Romance novels in England. The story is set in Paris, France in the Late Middle Ages, during the reign of Louis XI.

hugo-formation-docker/themes/ananke/exampleSite/content/en/contact.md

+---
+title: Contact
+featured_image: ''
+omit_header_text: true
+description: We'd love to hear from you
+type: page
+menu: main
+
+---
+
+
+This is an example of a custom shortcode that you can put right into your content. You will need to add a form action to the shortcode to make it work. Check out [Formspree](https://formspree.io/) for a simple, free form service. 
+
+{{< form-contact action="https://example.com"  >}}

hugo-formation-docker/themes/ananke/exampleSite/content/en/post/_index.md

+---
+title: "Articles"
+date: 2017-03-02T12:00:00-05:00
+---
+Articles are paginated with only three posts here for example. You can set the number of entries to show on this page with the "pagination" setting in the config file.

hugo-formation-docker/themes/ananke/exampleSite/content/en/post/chapter-1.md

+---
+date: 2017-04-09T10:58:08-04:00
+description: "The Grand Hall"
+featured_image: "/images/Pope-Edouard-de-Beaumont-1844.jpg"
+tags: ["scene"]
+title: "Chapter I: The Grand Hall"
+---
+
+Three hundred and forty-eight years, six months, and nineteen days ago
+to-day, the Parisians awoke to the sound of all the bells in the triple
+circuit of the city, the university, and the town ringing a full peal.
+
+The sixth of January, 1482, is not, however, a day of which history has
+preserved the memory. There was nothing notable in the event which thus
+set the bells and the bourgeois of Paris in a ferment from early morning.
+It was neither an assault by the Picards nor the Burgundians, nor a hunt
+led along in procession, nor a revolt of scholars in the town of Laas, nor
+an entry of “our much dread lord, monsieur the king,” nor even a pretty
+hanging of male and female thieves by the courts of Paris. Neither was it
+the arrival, so frequent in the fifteenth century, of some plumed and
+bedizened embassy. It was barely two days since the last cavalcade of that
+nature, that of the Flemish ambassadors charged with concluding the
+marriage between the dauphin and Marguerite of Flanders, had made its
+entry into Paris, to the great annoyance of M. le Cardinal de Bourbon,
+who, for the sake of pleasing the king, had been obliged to assume an
+amiable mien towards this whole rustic rabble of Flemish burgomasters, and
+to regale them at his Hôtel de Bourbon, with a very “pretty morality,
+allegorical satire, and farce,” while a driving rain drenched the
+magnificent tapestries at his door.
+
+What put the “whole population of Paris in commotion,” as Jehan de Troyes
+expresses it, on the sixth of January, was the double solemnity, united
+from time immemorial, of the Epiphany and the Feast of Fools.
+
+On that day, there was to be a bonfire on the Place de Grève, a maypole at
+the Chapelle de Braque, and a mystery at the Palais de Justice. It had
+been cried, to the sound of the trumpet, the preceding evening at all the
+cross roads, by the provost’s men, clad in handsome, short, sleeveless
+coats of violet camelot, with large white crosses upon their breasts.
+
+So the crowd of citizens, male and female, having closed their houses and
+shops, thronged from every direction, at early morn, towards some one of
+the three spots designated.
+
+Each had made his choice; one, the bonfire; another, the maypole; another,
+the mystery play. It must be stated, in honor of the good sense of the
+loungers of Paris, that the greater part of this crowd directed their
+steps towards the bonfire, which was quite in season, or towards the
+mystery play, which was to be presented in the grand hall of the Palais de
+Justice (the courts of law), which was well roofed and walled; and that
+the curious left the poor, scantily flowered maypole to shiver all alone
+beneath the sky of January, in the cemetery of the Chapel of Braque.
+
+The populace thronged the avenues of the law courts in particular, because
+they knew that the Flemish ambassadors, who had arrived two days
+previously, intended to be present at the representation of the mystery,
+and at the election of the Pope of the Fools, which was also to take place
+in the grand hall.
+
+It was no easy matter on that day, to force one’s way into that grand
+hall, although it was then reputed to be the largest covered enclosure in
+the world (it is true that Sauval had not yet measured the grand hall of
+the Château of Montargis). The palace place, encumbered with people,
+offered to the curious gazers at the windows the aspect of a sea; into
+which five or six streets, like so many mouths of rivers, discharged every
+moment fresh floods of heads. The waves of this crowd, augmented
+incessantly, dashed against the angles of the houses which projected here
+and there, like so many promontories, into the irregular basin of the
+place. In the centre of the lofty Gothic* façade of the palace, the grand
+staircase, incessantly ascended and descended by a double current, which,
+after parting on the intermediate landing-place, flowed in broad waves
+along its lateral slopes,—the grand staircase, I say, trickled
+incessantly into the place, like a cascade into a lake. The cries, the
+laughter, the trampling of those thousands of feet, produced a great noise
+and a great clamor. From time to time, this noise and clamor redoubled;
+the current which drove the crowd towards the grand staircase flowed
+backwards, became troubled, formed whirlpools. This was produced by the
+buffet of an archer, or the horse of one of the provost’s sergeants, which
+kicked to restore order; an admirable tradition which the provostship has
+bequeathed to the constablery, the constablery to the _maréchaussée_,
+the _maréchaussée_ to our _gendarmeri_ of Paris.

hugo-formation-docker/themes/ananke/exampleSite/content/en/post/chapter-2.md

+---
+date: 2017-04-10T11:00:59-04:00
+description: "Pierre Gringoire"
+featured_image: ""
+tags: []
+title: "Chapter II: Pierre Gringoire"
+---
+
+Nevertheless, as be harangued them, the satisfaction and admiration
+unanimously excited by his costume were dissipated by his words; and when
+he reached that untoward conclusion: “As soon as his illustrious eminence,
+the cardinal, arrives, we will begin,” his voice was drowned in a thunder
+of hooting.
+
+“Begin instantly! The mystery! the mystery immediately!” shrieked the
+people. And above all the voices, that of Johannes de Molendino was
+audible, piercing the uproar like the fife’s derisive serenade: “Commence
+instantly!” yelped the scholar.
+
+“Down with Jupiter and the Cardinal de Bourbon!” vociferated Robin
+Poussepain and the other clerks perched in the window.
+
+“The morality this very instant!” repeated the crowd; “this very instant!
+the sack and the rope for the comedians, and the cardinal!”
+
+Poor Jupiter, haggard, frightened, pale beneath his rouge, dropped his
+thunderbolt, took his cap in his hand; then he bowed and trembled and
+stammered: “His eminence—the ambassadors—Madame Marguerite of
+Flanders—.” He did not know what to say. In truth, he was afraid of
+being hung.
+
+Hung by the populace for waiting, hung by the cardinal for not having
+waited, he saw between the two dilemmas only an abyss; that is to say, a
+gallows.
+
+Luckily, some one came to rescue him from his embarrassment, and assume
+the responsibility.
+
+An individual who was standing beyond the railing, in the free space
+around the marble table, and whom no one had yet caught sight of, since
+his long, thin body was completely sheltered from every visual ray by the
+diameter of the pillar against which he was leaning; this individual, we
+say, tall, gaunt, pallid, blond, still young, although already wrinkled
+about the brow and cheeks, with brilliant eyes and a smiling mouth, clad
+in garments of black serge, worn and shining with age, approached the
+marble table, and made a sign to the poor sufferer. But the other was so
+confused that he did not see him. The new comer advanced another step.
+
+“Jupiter,” said he, “my dear Jupiter!”
+
+The other did not hear.
+
+At last, the tall blond, driven out of patience, shrieked almost in his
+face,—
+
+“Michel Giborne!”
+
+“Who calls me?” said Jupiter, as though awakened with a start.
+
+“I,” replied the person clad in black.
+
+“Ah!” said Jupiter.
+
+“Begin at once,” went on the other. “Satisfy the populace; I undertake to
+appease the bailiff, who will appease monsieur the cardinal.”
+
+Jupiter breathed once more.
+
+“Messeigneurs the bourgeois,” he cried, at the top of his lungs to the
+crowd, which continued to hoot him, “we are going to begin at once.”
+
+“_Evoe Jupiter! Plaudite cives_! All hail, Jupiter! Applaud,
+citizens!” shouted the scholars.
+
+“Noel! Noel! good, good,” shouted the people.
+
+The hand clapping was deafening, and Jupiter had already withdrawn under
+his tapestry, while the hall still trembled with acclamations.
+
+In the meanwhile, the personage who had so magically turned the tempest
+into dead calm, as our old and dear Corneille puts it, had modestly
+retreated to the half-shadow of his pillar, and would, no doubt, have
+remained invisible there, motionless, and mute as before, had he not been
+plucked by the sleeve by two young women, who, standing in the front row
+of the spectators, had noticed his colloquy with Michel Giborne-Jupiter.
+
+“Master,” said one of them, making him a sign to approach. “Hold your
+tongue, my dear Liénarde,” said her neighbor, pretty, fresh, and very
+brave, in consequence of being dressed up in her best attire. “He is not a
+clerk, he is a layman; you must not say master to him, but messire.”

hugo-formation-docker/themes/ananke/exampleSite/content/en/post/chapter-4.md

+---
+date: 2017-04-12T11:14:48-04:00
+description: "Master Jacques Coppenole"
+featured_image: ""
+tags: ["scene"]
+title: "Chapter IV: Master Jacques Coppenole"
+---
+While the pensioner of Ghent and his eminence were exchanging very low
+bows and a few words in voices still lower, a man of lofty stature, with a
+large face and broad shoulders, presented himself, in order to enter
+abreast with Guillaume Rym; one would have pronounced him a bull-dog by
+the side of a fox. His felt doublet and leather jerkin made a spot on the
+velvet and silk which surrounded him. Presuming that he was some groom who
+had stolen in, the usher stopped him.
+
+“Hold, my friend, you cannot pass!”
+
+The man in the leather jerkin shouldered him aside.
+
+“What does this knave want with me?” said he, in stentorian tones, which
+rendered the entire hall attentive to this strange colloquy. “Don’t you
+see that I am one of them?”
+
+“Your name?” demanded the usher.
+
+“Jacques Coppenole.”
+
+“Your titles?”
+
+“Hosier at the sign of the ‘Three Little Chains,’ of Ghent.”
+
+The usher recoiled. One might bring one’s self to announce aldermen and
+burgomasters, but a hosier was too much. The cardinal was on thorns. All
+the people were staring and listening. For two days his eminence had been
+exerting his utmost efforts to lick these Flemish bears into shape, and to
+render them a little more presentable to the public, and this freak was
+startling. But Guillaume Rym, with his polished smile, approached the
+usher.
+
+“Announce Master Jacques Coppenole, clerk of the aldermen of the city of
+Ghent,” he whispered, very low.
+
+“Usher,” interposed the cardinal, aloud, “announce Master Jacques
+Coppenole, clerk of the aldermen of the illustrious city of Ghent.”
+
+This was a mistake. Guillaume Rym alone might have conjured away the
+difficulty, but Coppenole had heard the cardinal.
+
+“No, cross of God?” he exclaimed, in his voice of thunder, “Jacques
+Coppenole, hosier. Do you hear, usher? Nothing more, nothing less. Cross
+of God! hosier; that’s fine enough. Monsieur the Archduke has more than
+once sought his _gant_\* in my hose.”
+
+_*  Got the first idea of a timing._
+
+Laughter and applause burst forth. A jest is always understood in Paris,
+and, consequently, always applauded.
+
+Let us add that Coppenole was of the people, and that the auditors which
+surrounded him were also of the people. Thus the communication between him
+and them had been prompt, electric, and, so to speak, on a level. The
+haughty air of the Flemish hosier, by humiliating the courtiers, had
+touched in all these plebeian souls that latent sentiment of dignity still
+vague and indistinct in the fifteenth century.
+
+This hosier was an equal, who had just held his own before monsieur the
+cardinal. A very sweet reflection to poor fellows habituated to respect
+and obedience towards the underlings of the sergeants of the bailiff of
+Sainte-Geneviève, the cardinal’s train-bearer.
+
+Coppenole proudly saluted his eminence, who returned the salute of the
+all-powerful bourgeois feared by Louis XI. Then, while Guillaume Rym, a
+“sage and malicious man,” as Philippe de Comines puts it, watched them
+both with a smile of raillery and superiority, each sought his place, the
+cardinal quite abashed and troubled, Coppenole tranquil and haughty, and
+thinking, no doubt, that his title of hosier was as good as any other,
+after all, and that Marie of Burgundy, mother to that Marguerite whom
+Coppenole was to-day bestowing in marriage, would have been less afraid of
+the cardinal than of the hosier; for it is not a cardinal who would have
+stirred up a revolt among the men of Ghent against the favorites of the
+daughter of Charles the Bold; it is not a cardinal who could have
+fortified the populace with a word against her tears and prayers, when the
+Maid of Flanders came to supplicate her people in their behalf, even at
+the very foot of the scaffold; while the hosier had only to raise his
+leather elbow, in order to cause to fall your two heads, most illustrious
+seigneurs, Guy d’Hymbercourt and Chancellor Guillaume Hugonet.

hugo-formation-docker/themes/ananke/exampleSite/content/fr/_index.md

+---
+title: "Ananke: Un thème pour Hugo"
+
+description: "Le dernier thème dont vous aurez besoin. Peut-être"
+cascade:
+  featured_image: '/images/gohugo-default-sample-hero-image.jpg'
+---
+Bienvenue sur mon blog à propos de mon travail du moment. Je travaille sur une idée de livre. Vous pouvez lire quelques chapitres plus bas.